Nonesuch Records

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'An oasis of artistic excitement' (Boston Globe) with a broad mission that includes classical, new music, jazz, world music, popular and alternative music, m. Listen to Nonesuch Records SoundCloud is an audio platform that lets you listen to what you love and share the sounds you create. 1421106 Followers. Stream Tracks and Playlists from Nonesuch Records on your desktop or mobile device.

Nonesuch Records A&r

Vintage Vinyl Rachmaninoff Sonata, OP. 19 For Piano & Cello Kodaly: Sonata, OP 4 Vinyl Record LP H-71155 Nonesuch Records 1873-1943 ((196 mdgiftart. From shop mdgiftart. 5 out of 5 stars (673) 673 reviews. A stellar lineup of musical luminaries comes together for one night only to pay tribute to Bob Hurwitz, who for the past three decades has served as the visionary architect of Nonesuch Records, affectionately referred to as 'the label without labels.'.

Nonesuch Records is an American record label, owned by Warner Music Group and distributed by Warner Bros. Copied 1 1 5 mas icloud download free. Records, and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Nonesuch Records has developed into a label that records critically acclaimed music from across a wide range of genres. Robert Hurwitz has been the president of the company since 1984.

• 1History

History

Founding

Nonesuch was founded in 1964 by Jac Holzman to produce 'fine records at the same price as a trade paperback',^[1] which would be half the price of a normal LP. To achieve this he initially licensed European recordings of classical music as it would be too expensive to record new material. Originally the label concentrated heavily on chamber and baroque music, often with (then) unique repertory, and typically sold at less-than-premium prices. Upon its formation, Nonesuch operated as a subsidiary label of Elektra Records, which Holzman had launched in 1950. In 1970, Holzman sold Elektra and Nonesuch to Kinney National Company, which became Warner Communications and later part of Time Warner's Warner Music Group. In 2004, Warner Music Group (WMG) became an independently owned, publicly traded company.

1965-1979: Teresa Sterne Years

Teresa Sterne led Nonesuch Records from 1965 until 1979; she was responsible not only for all of the artists & repertory decisions but also for overseeing the increasingly distinctive look of the record jackets.^[2] Sterne oversaw several firsts for the label, including early electronic releases. All docs 1 6. Nonesuch commissioned Morton Subotnick's 1967 album Silver Apples of the Moon (made on the Buchla 100),^[3] and in 1966 released a 2-LP set of Moog sounds with 16-page booklet called The Nonesuch Guide to Electronic Music by Beaver & Krause (which spent 26 weeks in Billboard's Top 100 chart).^[4]

Among the most notable achievements of Sterne's time at the label were the release of George Crumb's Ancient Voices of Children, inspired by the poems of Federico García Lorca, which sold more than 70,000 units;^[5] the recording of new works by Elliott Carter, including his first and second string quartets; and the commissioning and release of Charles Wuorinen's Time's Encomium, which would become the first electronic work to win the Pulitzer Prize for Music in 1970.^[6] Under Sterne, Nonesuch helped spark a ragtime revival in the United States with the release of a series of Scott Joplin piano rags performed by Joshua Rifkin.^[7] Sterne also launched the groundbreaking Explorer Series, building the foundation for the field of world music.

Sterne's abrupt termination in December 1979 prompted some two dozen Nonesuch artists to write a letter to the editor of the New York Times speaking out against the decision; several noteworthy composers, Elliott Carter and Aaron Copland among them, sent a letter to the vice president of the parent company, Warner Communications, in protest.^[8]

Sterne was replaced by the founder's younger brother, Keith Holzman, a production chief who, for the next five years, operated the label from Los Angeles.^[9]

1984–present: Robert Hurwitz Years

Former Blue Thumb Records founder Bob Krasnow, who assumed the chairmanship of Elektra Records in 1983,^[10] brought in the 34-year-old Bob Hurwitz in 1984, at the time the head of the US division of the Warner Bros. Records-distributed jazz label ECM Records, to run Nonesuch Records.^[9]

Within the first two years under Hurwitz's leadership, Nonesuch released albums by such 'new music' pioneers as Steve Reich (The Desert Music, 1985), John Adams (Harmonielehre, 1986), Philip Glass (Mishima, 1985), John Zorn (The Big Gundown, 1985), and Kronos Quartet (Kronos Quartet, 1986).^[11] (Kronos Quartet's 1992 album Pieces of Africa would top both the Billboard classical and world music charts.^[12]) Hurwitz established a jazz roster at the label, which included Zorn, Wayne Horvitz, and the World Saxophone Quartet.^[11] He built upon the world music reputation of Nonesuch, represented up to that point by the Explorer Series, with his signing of Brazilian singer and composer Caetano Veloso, who, like Reich and Adams, has maintained an ongoing relationship with the label for decades.^[13] Among Nonesuch world-music successes during the 1980s was the release of Le Mystère des Voix Bulgares, a recording of the Bulgarian State Television female choir, and the American debut of the Gipsy Kings, which would go on to be certified platinum with over one million in sales.^[14] Nonesuch would enjoy even greater success on the world music front in the late 1990s with the release of Buena Vista Social Club, which became the biggest-selling disc in the label's history and spawned many successful solo recordings from the stars of those original Ry Cooder-led sessions in Havana, Cuba.^[13]

In 1994, Hurwitz hired David Bither, the Senior Vice President and General Manager of Elektra Records, to head the international department at Nonesuch Records. But Bither quickly showed a far greater interest and talent in A&R and, soon after coming to the label, made a number of important signings that expanded the company's musical landscape while holding to the same ideals that had been long established from the company's earliest days.^[15] Bither's first signing, Emmylou Harris, signaled a new direction for the label. Harris, previously signed to Warner Bros. Records and Elektra Records, whose 2000 album Red Dirt Girl garnered a Grammy Award for Best Contemporary Folk Album. Though she had long been a highly regarded interpreter of other writers' songs, her Nonesuch debut was distinguished by being her first album to primarily feature self-penned compositions.^[13] In the decade that followed, k.d. lang, Randy Newman, Shawn Colvin, and Ry Cooder joined the label as did the rock band Wilco, which released four studio albums on the label, starting with its breakthrough disc Yankee Hotel Foxtrot, which was released on Nonesuch after it was rejected by Warner Bros. Records. Laurie Anderson has put out three discs with the label, and Nonesuch reissued her seminal Big Science album, an avant-garde project that became an unlikely pop hit in 1982. David Byrne released a solo album, Grown Backwards, on the label, as well as a live concert album with Caetano Veloso, Live at Carnegie Hall, and the original recording of his collaboration with Fatboy Slim, Here Lies Love. That recounting of the life and loves of former Filipino leader Imelda Marcos, was turned into an Off-Broadway musical at The Public Theater in the spring of 2013.

Among more recent Nonesuch signings, the most commercially successful has been The Black Keys, the former Akron, Ohio-based duo who parlayed cult status as no-frills blues rockers into an arena-sized following and received multiple Grammy Awards for their 2010 album Brothers and their 2012 release El Camino.^[16]

Bodog poker reviews. Forward-thinking traditional groups Carolina Chocolate Drops and Punch Brothers also joined the label, as well as iconoclastic folk interpreter Sam Amidon. The Chocolate Drops, a group exploring the African-American roots of old-time music, won a Grammy Award for Best Traditional Folk Album for its Nonesuch debut, Genuine Negro Jig. Mandolinist and composer Chris Thile of Punch Brothers was named a 2012 MacArthur Fellow, receiving one of 23 'genius' grant awards to extraordinary practitioners in a variety of creative fields. As a solo artist, he has also joined the classical ranks of the label, releasing the first of three discs of Bach's Sonatas and Partitas, written for the violin but transposed by Thile for mandolin.

Nonesuch has been building a catalog of Broadway cast recordings, including several works by multiple Tony and Grammy Award–winning composer/lyricist Stephen Sondheim. The label has released the cast recordings of several Broadway revivals of Sondheim's musicals. Among them are the 1998 production of Gypsy (music by Jule Styne, lyrics by Sondheim); 2002's Into the Woods; 2010's A Little Night Music; and Irish director John Doyle's reimaginings of Sweeney Todd (2006) and Company (2007). The label also released the soundtrack to Tim Burton's film adaptation of Sweeney Todd, starring Johnny Depp, in 2007.^[17] Nonesuch has also released recordings of less well-known Sondheim works like Saturday Night (his first) and The Frogs, as well as first recordings of his new musical Bounce and its later incarnation, Road Show.^[18]

Riot: civil unrest (2019). From the next generation of composers, Adam Guettel has made three recordings for Nonesuch: the cast recording of his first musical, Floyd Collins (1996), the Original Cast Recording of his Tony Award–winning The Light in the Piazza; and his song cycle Myths and Hymns (earlier mounted off Broadway under the title Saturn Returns).^[19]

Among the champions of Adam Guettel's work is five-time Tony Award-winning singer and actress Audra McDonald, who has showcased his compositions, among the works of a number of other contemporary composers, on her 1998 Nonesuch solo debut album, Way Back to Paradise, and later recordings How Glory Goes (2000), Build a Bridge (2006), and Go Back Home (2013).^[20] Her 2002 album Happy Songs featured music of the 1930s and '40s by songwriters like Harold Arlen, Irving Berlin, and the Gershwins.^[21]

As with its catalog of Broadway cast recordings, Nonesuch has assembled an equally selective roster of movie soundtracks, chief among them the scores of Philip Glass. His first Nonesuch recording, the soundtrack to Paul Schrader's Mishima: A Life in Four Chapters in 1984, began a decades-long relationship with the label that would include several stand-out soundtracks, like those of Godfrey Reggio's wordless films Powaqqatsi and Koyaanisqatsi, the Errol Morris documentary The Thin Blue Line, Martin Scorsese's 1997 film Kundun, and The Hours, based on the book by Michael Cunningham.^[22]Mishima was also the first Nonesuch album from now longtime Nonesuch artists Kronos Quartet. Kronos went on to collaborate with British composer Clint Mansell on his scores for the Darren Aronofsky films Requiem for a Dream (2000), The Fountain (2006), and Noah (2014); the Requiem soundtrack included the piece 'Lux Aeterna,' which subsequently became a popular track for use in movie trailers and commercials.^[23][24] Nonesuch has also recorded the film work of Radiohead guitarist Jonny Greenwood, including writer-director Paul Thomas Anderson's Oscar-nominated There Will Be Blood (2007) and The Master (2012).^[25] Among other Nonesuch movie soundtrack offerings are Jon Brion's score for Anderson's 2002 film Punch-Drunk Love, Stephin Merritt's songs for Pieces of April (2003), Thomas Newman's score for the HBO mini-series Angels in America (2007), and Carter Burwell's score for the Coen brothers' True Grit (2010).^[26] The relationship with the Coens has continued with the 2013 release of the soundtrack to Inside Llewyn Davis, produced by T Bone Burnett and the Coen brothers.^[27]

In the late 1990s, after Elektra underwent restructuring at the executive level, Nonesuch was shifted under the umbrella of Warner Music International. In the early 2000s, Nonesuch briefly operated under Atlantic Records, and has operated under Warner Bros. Records since in 2004.

Nonesuch Explorer Series

In the late 1960s, the Explorer Series made the label a pioneer in the field of world music before the term had even been coined. The series, which Nonesuch released from 1967^[28] to 1984, consisted of field recordings made primarily in Asia, Africa, the Caribbean, Central and South America, and Eastern Europe.

For American non-travelers, it was the first exposure to musical idioms such as music produced by a gamelan. In 1977, a few of the recordings were chosen for the Voyager Golden Record, and sent into outer space aboard the Voyager spacecraft. Itext pro 1 3 0 – ocr & translator google. In 2008, one of the first Explorer Series albums, Music from the Morning of the World (1967), comprising early field recordings that the British musicologist David Lewiston had made in Bali in 1966, was added to the National Recording Registry by the Library of Congress.^[29]

Many of the original analog recordings of the Nonesuch Explorer Series albums were remastered during the 2000s and re-released, with new packaging, in CD format. Logic pro x 10 4 8 compatibility.

Discography

Artists

References

1. ↑Holzman, Jac; Daws, Gavan (1998). Follow the Music. FirstMedia Books. p. 97. ISBN0-9661221-1-9.
2. ↑Tommasini, Anthony (December 12, 2000). 'Teresa Sterne, 73, Pioneer In Making Classical Records'. The New York Times.
3. ↑Pinch, Trevor; Frank Trocco (2004). Analog Days: The Invention and Impact of the Moog Synthesize. Harvard University Press. p. 100. ISBN0-674-01617-3.
4. ↑Pinch 2004, p.126.
5. ↑Houghton, Mick (2010). Becoming Elektra: The True Story of Jac Holzman's Visionary Record Label. Jawbone Press. p. 167. ISBN978-1-906002-29-9.
6. ↑'Pulitzer Prize for Music'. Retrieved October 24, 2013.
7. ↑Tommasini, Anthony (December 12, 2000). 'Teresa Sterne, 73, Pioneer In Making Classical Records'. The New York Times.
8. ↑'Musicians Speak Out for Nonesuch'. The New York Times. December 23, 1979.
9. ↑ ^9.09.1Gold, Gerald (June 3, 1984). 'Record Notes; Nonesuch Returns to New York'. The New York Times.
10. ↑Cuff, Daniel F. (January 12, 1983). 'Business People; Warner Names Head of Elektra Record Unit'. The New York Times.
11. ↑ ^11.011.1Pareles, Jon (November 9, 1986). 'Recordings; Nonesuch Seeks to Break Down Musical Barriers'. The New York Times.
12. ↑'Kronos Quartet artist chart listing'. Billboard.com. Billboard. Retrieved October 24, 2013.
13. ↑ ^13.013.113.2Shorto, Russell (October 3, 2004). 'The Industry Standard'. The New York Times.
14. ↑'American album certifications – Gipsy Kings – Gipsy Kings'. RIAA.com. Recording Industry Association of America. Retrieved October 24, 2013.
15. ↑'Nonesuch Senior Vice President David Bither Receives Bang on a Can Visionary Award'. Retrieved October 30, 2013.
16. ↑Shorto, Alan (December 1, 2011). 'First, Hit It Big. Then Change'. The New York Times.
17. ↑Jones, Kenneth (January 4, 2010). 'A Little Night Music Cast Album Gets Recorded Jan. 4'. Playbill.com.
18. ↑Hetrick, Adam (June 30, 2009). ''It's In Your Hands Now': Sondheim's Road Show Cast Recording Released June 30'. Playbill.com.
19. ↑Suskin, Steven (June 12, 2005). 'ON THE RECORD: The Light in the Piazza and Little Women'. Playbill.com.
20. ↑Hetrick, Adam (April 9, 2013). 'Audra McDonald's New Album, 'Go Back Home' Sets May Release; PBS Concert Will Follow'. Playbill.com.
21. ↑Simonson, Robert (September 17, 2002). 'Audra McDonald's 'Happy Songs' CD in Stores Sept. 17'. Playbill.com.
22. ↑''Philip On Film': Glass Continues To Score'. Billboard.com. Billboard. Retrieved March 27, 2014.
23. ↑'Kronos Quartet and Friends to Perform in 40th Anniversary Celebration at Carnegie Hall, 3/28'. Broadwayworld.com. Wisdom Digital Media. Retrieved March 27, 2014.
24. ↑Roger Ebert (November 17, 2002). 'Movie Answer Man (11/17/2002)'. Rogerebert.com. Ebert Digital LLC. Retrieved March 27, 2014.
25. ↑'Jonny Greenwood Scores The Master'. Thequietus.com. The Quietus. Retrieved March 27, 2014.
26. ↑'Artists by Genre'. Nonesuch.com. Nonesuch. Retrieved March 27, 2014.
27. ↑Hermes, Will (November 12, 2013). 'Review: Inside Llewyn Davis: Original Soundtrack Recording'. Rollingstone.com.
28. ↑'Nonesuch to Release First 4-LP Pkg'. Billboard. 79 (32): 48. Aug 12, 1967. ISSN0006-2510.
29. ↑'The Full National Recording Registrty'. Retrieved October 30, 2013.

External links

New Amsterdam and Nonesuch Records Partnership
to Support Contemporary American Composers

Continuing in 2020 with releases by Sarah Kirkland Snider + more to be announced

First three releases in spring 2019, featuring works by Caroline Shaw, William Brittelle, and Daniel Wohl

Mass for the endangered

Composer Sarah Kirkland Snider'sMass for the Endangered, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. Originally commissioned by Trinity Church Wall Street, this recording features the English vocal ensemble Gallicantus conducted by Gabriel Crouch. Out September 25, 2020.

ÉTAT

Electro-acoustic pieces from Daniel Wohl, with guest performances by Poliça's Channy Leaneagh with co-production by Son Lux's Ryan Lott and mmph. Recorded with members of yMusic and Calder Quartet and out May 31, 2019. Sims 4 won t download on origin.

ORANGE

First full-length album to exclusively feature works by Pulitzer Prize–winning composer Caroline Shaw, performed by Attacca Quartet and out April 19, 2019.

SPIRITUAL AMERICA

Genre-fluid, electro-acoustic song cycle from composer William Brittelle, featuring acclaimed American rock duo Wye Oak, Grammy–winning Brooklyn Youth Chorus, and Grammy-nominated chamber orchestra Metropolis Ensemble, out May 3, 2019.

Nonesuch and New Amsterdam Records have joined forces to release approximately three albums per year over an initial three-year period. This partnership is the result of conversations between the two New York-based labels about their long-term shared values to support the work of several generations of American composers, with the intention of enabling those artists to realize creative ambitions that might not otherwise be achievable. The collaboration reflects the fifty-four-year-old Nonesuch's legacy and the accomplishments of the ten-year-old New Amsterdam, combining their resources in order to share newly-recorded music with a wider audience.

The first three New Amsterdam/Nonesuch releases will be by Pulitzer Prize–winning composer Caroline Shaw, composer and New Amsterdam Co-Artistic Director William Brittelle, and Los Angeles–based composer Daniel Wohl. Further details of all three albums will be announced shortly.

Elektra Nonesuch

New Amsterdam Co-Artistic Director Judd Greenstein said, 'No record label has been more of a model to us than Nonesuch, in their representation of the world of music as defined solely by quality and vision, not genre or style. It is an absolute honor to be working together on these albums, which we hope will help amplify some of the strongest voices in our community and help bring their music to new audiences. We've always believed in working together with like-minded organizations and this has the capacity to be our most impactful and transformative partnership yet.'

'About five years ago, Bob Hurwitz, then the president of Nonesuch, approached Judd Greenstein of New Amsterdam to see if there might be a place for a partnership between the two labels, since we greatly admired the way Judd and his partners Sarah Kirkland Snider and William Brittelle had created a community to foster the work of young composers,' said Nonesuch President David Bither. 'A shared set of goals and friendship quickly became apparent and over the next several years, the five of us explored ways Nonesuch could help to provide both resources and a worldwide platform for projects that might not otherwise be feasible for New Amsterdam. Bob and I are very happy that this idea has finally come to fruition and look forward to the first New Amsterdam/Nonesuch titles arriving this spring.'

Nonesuch Records Videos Classical

Established on principles of community, artistic diversity, and stylistic freedom, New Amsterdam Records (NewAm) is a not-for-profit artist's service organization dedicated to supporting the public's engagement with new music by composers and performers whose work transcends traditional and outdated genre distinctions. Founded in 2008 as a community-based cooperative record label, NewAm was granted 501(c)(3) status in 2011. The label has released more than one hundred records from artists including Roomful of Teeth, Darcy James Argue, Missy Mazzoli, Jace Clayton, and more; its artists have won numerous awards and accolades, including a Grammy Award, nine Grammy nominations, and a Pulitzer Prize. New Amsterdam has also curated and presented more than 500 live concerts of groundbreaking new music including world premieres, semi-staged operas, record releases, music festivals, and chamber music.

Nonesuch Records Address

Founded as a classical label in 1964, Nonesuch Records has grown over the last five decades to pursue a broad mission, including classical music, contemporary music, jazz, traditional American and world music, popular and alternative music, and music theater. Over the last three decades, Nonesuch has signed and released recordings by artists such as John Adams, Laurie Anderson, The Black Keys, David Byrne, Ry Cooder, Jeremy Denk, Fleet Foxes, Rhiannon Giddens, Richard Goode, Emmylou Harris, Kronos Quartet, Lake Street Dive, k.d. lang, Audra McDonald, Brad Mehldau, Natalie Merchant, Pat Metheny, Nico Muhly, Randy Newman, Mandy Patinkin, Robert Plant, Punch Brothers, Joshua Redman, Steve Reich, Stephen Sondheim, Chris Thile, and Caetano Veloso, among many others.